Book 3 begins with the Trojan ranks
leaving the city gates to advance towards the Greeks. Paris, the Trojan who
stole Helen from Menelaus, was with them. Menelaus was eager to exact his
revenge on Paris and challenged him to a one on one duel. Upon seeing Menelaus,
he quickly receded back into the protection of his fellow soldiers. Only after
being made fun of by Hector did he finally decide to show his face to Menelaus.
The following Homeric simile depicts the Trojan Army immediately after they
left the gates of Troy.
Like cranes beating their metallic wings
In the stormy sky of winter's onset,
Unspeakable
rain at their backs, their necks stretched
Toward Oceanic
streams and down
To strafe the
brown Pygmy race,
Bringing strife
and bloodshed from the sky at dawn
Book 3, lines 5-10
of the Lombardo Translation
In this simile, the tenor are the Greek and Trojan armies advancing
upon each other. The Trojan Army is bustling with barbaric energy and is moving
extremely noisily. Lines 18 and 19 state that “No more could the soldiers see
through the cloud of dust the armies tramped up as they moved through the plain.”
This shows the aggressive and ferocious nature of the Trojan’s movement. They
are moving toward the Greek army with the intent to spill blood. The vehicles
of this simile are the cranes and the Pygmies. The flying cranes beating their
metallic wings are being compared to the barbaric nature of the Trojan army,
while the Pygmy race is comparable to the Greeks, who are awaiting the
advancement of the Trojan Army and are preparing themselves for the bloodshed
that is about to ensue. The parallels between the Greek and Trojan armies and
the ferocious cranes and the awaiting Pygmies are rather evident. This simile
appeals to both sight and sound. The imagery that Homer uses here helps you to
picture the difference between the raging, screaming Trojans and the much
quieter, waiting Greeks. It also shows a certain bias that the author has in
describing the two armies, since the Trojan army has been described as almost
savage and impulsive as is rushes toward the Greeks, who are calm and remain
composed throughout this particular scene.
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